Hofesh
Shecter – Political Mother. 27/4/12 The Lowry, Salford.
The
programme states ‘Shecter’s first full length work burst onto the world stage
in 2010 and since then has been an unstoppable force, touring the world to
great acclaim.’ This is due to the
mesmerising ensemble pieces, consisting of raw, committed movement and powerful
images. Exploring themes of power,
oppression and conformity – which are a common trend recently – the dancers
take the audience on a painful journey to subjection and back again, in which
the choreographer allows the dancers’ individuality come to light.
The element that
sets Politcal Mother aside from many
other contemporary dance pieces is the choice of a live band and the bold style
of music. The musicians are such a part
of the staging, and make up almost half of the performers, that Shecter has
made a whole performance genre of his own.
The daring, deafening music dramatically increased the atmosphere
throughout the piece, and continually created the tension. It is fair to say that without the rock
music/ gig element, the dancing would be rather underwhelming. Having said that, Political Mother is still an undeniable masterpiece, and I doubt
the ‘unstoppable force’ of the piece worldwide is about to slow down.
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